T is for Timon – Craig Drennen
SPECIAL EVENTS
- Opening Reception: Saturday, September 20 from 6:00 to 8:00 PM.Free for MCMA members and $10 for guests—admission paid upon entry. Cash bar and hors d’oeuvres served. Membership can be purchased at the event.
- Free Exhibiting Artist Talk: Saturday, November 1 from 2:00 to 4:00 PM.
ARTIST’S BIOGRAPHY
Craig Drennen is a painter based in Atlanta, GA and a 2018 Guggenheim Fellow. He is represented by Brigitte Mulholland Gallery in Paris and has had recent solo exhibitions at The Suburban in Milwaukee, Wisconsin and Freight+Volume Gallery in New York City. His work has been included in group exhibitions at Anton Kern Gallery in New York City and the Kunstverein Langenhagen in Langenhagen, Germany. He has been an artist in residence at Yaddo, MacDowell, and Skowhegan, among others. His work has been reviewed in Art in America, Artforum, and The New York Times. Drennen served as dean at the Skowhegan School of Painting & Sculpture in Skowhegan, teaches at Georgia State University, and manages THE END Project Space. Since 2008 he has organized his studio practice around Shakespeare’s Timon of Athens.
ARTIST STATEMENT
Since 2008 Drennen has centered his studio practice around Shakespeare’s Timon Athens. Drennen produces a stylistically distinct body of paintings for each character in the play, treating style as a unique information system instead of a simple menu option. This led Drennen into a “prismatic” studio practice, where the information stream provided by Timon of Athens refracts out into a full spectrum of characters’ works. Any character can be an entry point into the entire project, but no single character reveals the project’s full scope. Drennen’s most recent characters, notably Merchant, Timon, and Jeweler, constitute his most ambitious works yet. The Merchant pieces are tondos depicting vinyl records and paper money in compositions derived from early illustrations of the Covid virus. The Timon pieces are T-shaped paintings filled with abstract expressionist marks executed in fluorescent orange oil paint, a color lacking ready art historical references. The Jeweler pieces are gray lines of any length painted directly onto the wall with cast hydrocal shapes added along the line in the manner of an ankle bracelet. Drennen has worked on this project for 17 years, and he will continue until he addresses the entire cast of the play. His project has become a slow-moving intervention into the Western canon, leading to a future where Timon of Athens will be known not as Shakespeare’s, but as his.
ABOUT EXHIBITION
T is for Timon presents a selection from Craig Drennen’s seventeen-year body of work based on Timon of Athens, William Shakespeare’s least admired play. Centered around the play’s characters, Drennen’s series coalesce in a way that explores dualistic, yet intertwined, concepts of bluntness and virtuosity, the cultural and the personal, and success and failure. Drennen’s paintings, sculptural objects, performance art, and installation works on display extend beyond the literary source; each piece acts as a kind of “surrogate”—a means through which both artist and viewer can confront and process shared cultural inheritance and personal memories.